Twenty Days of Home School Social Studies Curriculum (for Middle or High School)

Well, hello there.

Like most of you, I’ve suddenly found myself teaching online social studies classes. Good thing there’s a whole library of free lessons at Openendedsocialstudies.org, just ready and waiting to support your middle and high school world and US history needs. Please browse and share widely in your social circles.

Here’s a look at some lessons my own home-bound students will see in the twilight days of this school year, preempted so abruptly by our national quarantine.  We’re trying to keep it light, airy, and most of all relevant.

Most to the point, we’re trying to teach these kids something about how to be a good, well-rounded person.  Wasn’t that why you got into this business in the first place?

So, get your kids away from the computer screen as much as possible – that is where they’re going to be for math and ELA.

Everything below is written to apply to the town where I teach, but can easily be adapted to your hometown.

Good luck and be good to each other.

Tom,
Founder, Openendsocialstudies.org


Day 1 – Map Your World

Make a hand drawn map of your home and your yard (if you have one.) Use a measuring tape (or improvise one if you don’t have a measuring tape.)

Your map should be to scale – 1 inch equals 5 feet. Include and label all rooms, windows, doors, and major trees and landscaping. Also include a compass rose and a key, if necessary.
Scan/take a photo of your map.

Day 2 – Plant Life

Pick a tree or plant in your yard. If you’re in an apartment, that’s ok – pick a plant/tree around your building.

Figure out what it is and write a brief report (in your own words, approximately one paragraph). Address questions about: the conditions under which it thrives, its relationship to humans (do we use it or its fruit or leaves for anything, or is it just for decoration), whether it is native to our state, whether your family planted it or it was growing there when you moved in.

You’ve got to be a detective for this one – describe the plant in Google image search, ask an adult who might know what it is, or download a leaf identification app on your phone (there are lots of free ones).

Day 3 – Ask an Adult

Ask an adult to tell you about the neighborhood they lived in when they were your age. Think of at least two related follow up questions. Document the answers in interview format – like this:

Student: Mr. Kenning, what am I supposed to do again?

Mr. Kenning: Interview an adult?

Student: Wait, what?

Mr. Kenning: Ask an adult some questions about the neighborhood they lived in when they were your age!

Student: That’s all?

Mr. Kenning: That’s all!

Day 4 – Read This

Read the following quote and respond to it in a five to eight sentence paragraph:
“Adults, in their dealing with children, are insane, and children know it too. Adults lay down rules they would not think of following, speak truths they do not believe. And yet they expect children to obey the rules, believe the truths, and admire and respect their parents for this nonsense. Children must be very wise and secret to tolerate adults at all. And the greatest nonsense of all that adults expect children to believe is that people learn by experience. No greater lie was ever revered. And its falseness is immediately discerned by children since their parents obviously have not learned anything by experience. Far from learning, adults simply become set in a maze of prejudices and dreams and sets of rules whose origins they do not know and would not dare inspect for fear the whole structure might topple over on them. I think children instinctively know this. Intelligent children learn to conceal their knowledge and keep free of this howling mania.”
― John Steinbeck, The Log from the Sea of Cortez

Day 5 – Dig a Hole

1.Find an out of the way space. Dig a hole at around a foot in depth. To provide a sense of scale, take a picture of your hole with a ruler or some other object in it.
2. Answer the following survey on your own sheet of paper:
Name:
Age:
Grade:
Teacher Who Made Me Do This and Their Email Address:
Best Friends:
Favorite Food:
Favorite Music:
What’s Going on in the World Right Now:
Advice to My Future Self:
3. Place you answers in a carefully sealed Ziploc bag, along with anything else you might want to bury in your time capsule.
4. Throw it in the hole, cover the hole, and dig it all up on April 1st in the year 2025 (or, before you move from your current house – whichever comes first).  Write me a note when you do, and let me know how you’re doing!
Try to go easy on the grass – if you must dig through grass, you can usually cut a piece by getting your shovel up underneath it and levering it up.  You can then replace it when you are done by dropping it back into place.  If you are totally not allowed to dig, place this under a big rock, a paving stone, or somewhere else hidden.

Day 6 – Estimate your Impact

Use this tool – https://ei.lehigh.edu/learners/cc/carboncalc.html – to estimate your carbon footprint. Summarize the “Analysis” tab – what your biggest impacts? Were there any sources of carbon that you hadn’t consider before taking this survey?

Day 7 – Eat a Piece of Fruit

Find a piece of fruit in your house. If you don’t have any, find something fruit flavored. Write a brief report on that piece of fruit, including information about its history and where it is cultivated.

Day 8 – Public Records

Look up your home’s tax/historic information. If you live in Pinellas County, you can find it here: https://www.pcpao.org/searchbyAddress.php
Answer the following questions:
1. In what year was your home built?
2. What is the “Land Size” of your property?
3. How many sales are recorded for your home/when were they?
4. How has the value of your home changed over time?

Day 9 – Ask an Adult

Ask your adult to show you some photographs of his or her self when they were your age. Ask them three questions inspired by the photo. Record/document the answers in interview format.

Day 10 – Smoke Detectors

Find all the smoke detectors in your home. Get up on a chair and press the test button.  They should make a loud noise.  If they don’t, you need new batteries.  You’re welcome. Send a photo of yourself up on the chair.

Day 11 – Record a Podcast

Using your phone or computer, record a short podcast (minimum two minutes) – on the theme “What is my life like while I’m stuck at home because of the Coronavirus?”

Day 12 – Make a Meal

Make or help to make breakfast, lunch, or dinner today for the members of your family. Submit a selfie of you in the kitchen/doing the work.

Day 13 – Native America

What Native American group occupied the land where you live now?  Figure it out, give me a paragraph about them, and tell where I could can go to see some of their artifacts or the ruins of their towns.

Day 14 – Your Public Purpose

Read this article about the Californios Verdes – https://openendedsocialstudies.org/2019/04/19/californios-verdes-and-your-public-purpose-project/. The assignment at the end asks you to create a year long project. You don’t actually have to do this assignment – but if you DID have to do it, what kind of project would you take on?  Describe it and why it is important to you in a five to eight sentence paragraph.

Day 15 – Sketch

Find something outside and sketch it. Your artwork doesn’t have to be “good” – but it must demonstrate effort. This shouldn’t take less than five minutes.  Take a photo of yourself holding your sketch and upload it.

Day 16 – Your Officials

Who is your mayor?  What is one thing he has done for the city? Who is your deputy mayor?  Where is city hall?

Day 17 – In the Shade

Find a shady spot outside and read a book there for at least ten minutes.  Take a selfie in your spot, with your book, and submit it.

Day 18 – Your Parks

Use Google Maps to help you pick a park or nature preserve. Write a one paragraph history of that place OR, if applicable, a one paragraph biography  of the person it is named after.

Day 19 – Read This

 Read the following quote and respond to it in a five to eight sentence paragraph:
 ‘We are what we pretend to be, so we must be careful about what we pretend to be.’
Surprise me with your own act of creativity or whimsy – a hobby, a piece of art, an act of kindness, etc.  It can be anything.  Tell me about it/share a photo of it here, and tell me why you are proud of this thing.

Day 20 – Surprise

Surprise me with your own act of creativity or whimsy – a hobby, a piece of art, an act of kindness, etc.  It can be anything.  Tell me about it/share a photo of it here, and tell me why you are proud of this thing.

Build a Great Ziggurat

The Great Ziggurat of Ur (Sumerian: 𒂍𒋼𒅎𒅍 or “Etemenniguru,” meaning “temple whose foundation creates aura”) is a Sumerian ziggurat – or step pyramid – built in the city of Ur in the 21st Century BCE – or about 4000 years ago.  Construction started circa 2050-2030 BC and was completed circa 2030-1980 BC

800px-Ancient_ziggurat_at_Ali_Air_Base_Iraq_2005
Partially reconstructed facade and the access staircase of the ziggurat. The actual remains of the Neo-Babylonian structure can be seen at the top.

The massive step pyramid measured 64 m (210 ft) in length, 45 m (148 ft) in width and over 30 m (98 ft) in height. The height measurement is only speculative, as just the foundations of the Sumerian ziggurat have survived. Like most ziggurats, the Great Ziggurat was made by stacking sun-baked mud-bricks and using additional mud to seal them together.  This construction technique is relatively effective in a drier climate over the short term, but has resulted in the ziggurat’s collapse over many millennia of rain.

Ziggurat_of_ur
Computer reconstruction of Ur-Nammu’s ziggurat.

urcity.gifThe ziggurat served as an administrative center for the city, and which was a shrine of the moon god Nanna, the patron deity of Ur.

The construction of the ziggurat was finished in the 21st century BCE by King Shulgi, who, in order to win the allegiance of cities, proclaimed himself a god. During his 48-year reign, the city of Ur grew to be the capital of a state controlling much of Mesopotamia.

 

godnanna2
The king of Ur is seated on his throne, bestowing power on governors who will rule beneath him. The god Nanna, god of the moon, who granted heavenly power to the king – and worshiped in the Great Ziggurat of Ur – is seen above in the form of a crescent moon.

Using supplies found in your classroom (and approved by your teacher) – build a scale model of the Great Ziggurat of Ur.  You should work in cooperation with your peers, in a group the size of your choosing.  Make sure it matches the approximate proportions of the Great Ziggurat – 64 m (210 ft) in length, 45 m (148 ft) in width, and 30 m (98 ft) in height.  Show your math – and be creative in following these directions to build the MOST impressive one in your class! 

After all, a impressive ziggurat will inspire your followers – and unimpressive one will result in a complete collapse of your society…

In Writing/For Discussion

Each group member must provide the dimensions of their model ziggurat in inches and answer the accompanying questions in paragraph form:

  1. What was the significance of the Ziggurat in Sumerian culture?
  2. Can you think of any structures that perform similar functions in modern America? Explain.
  3. Who built the most impressive ziggurat in your class?  What strategies did they follow to accomplish this?

Ziggurat of Ur

Join the Neolithic Revolution Advertisement

The Neolithic Revolution – also known as the Agricultural Revolution – was the wide-scale transition of many human societies from a lifestyle of hunting and gathering to one of agriculture and settlement, making an increasingly larger population possible. These settled communities permitted humans to observe and experiment with plants to learn how they grew and developed. This new knowledge led to the domestication of plants.

The Neolithic Revolution involved far more than the adoption of a limited set of food-producing techniques. During the next millennia it would transform the small and mobile groups of hunter-gatherers that had hitherto dominated human pre-history into sedentary (non-nomadic) societies based in built-up villages and towns. These societies radically modified their natural environment by means of specialized food-crop cultivation, with activities such as irrigation and deforestation which allowed the production of surplus food. Other developments found very widely are the domestication of animals, pottery, polished stone tools, and rectangular houses.

These developments, sometimes called the Neolithic package, provided the basis for centralized administrations and political structures, hierarchical ideologies, writing, cities, specialization and division of labor, more trade, the development of non-portable art and architecture, and property ownership.

ACTIVITY – Join the Neolithic Revolution Advertisement

Create an advertisement urging human beings to settle down and join the Neolithic Revolution.  Your ad should be artistic, creative, and appealing, but should also communicate the key changes/benefits that an agriculturally-based lifestyle will bring to those who adopt it – using at least 3/4 of the vocab words found in your textbook.

You must also utilize at least two of the following – the seven most common techniques of persuasion used in advertising:

  • Testimonial – a story from someone, usually famous, who has used the product
  • Glittering Generalities – words that cannot really be measured, like “great”
  • Transfer – using this product will make you “cool” or “attractive”
  • Plain Folks – a common person who can understand and empathize with a listener’s concerns.
  • Bandwagon – everybody’s doing it, you’re being left behind
  • Name Calling – bashing the competition
  • Card Stacking – shows the product’s best features, tells half truths, omits potential problems.

Think of something like —

NeolithicRevolution

What Is It That Makes Humans Unique?

Aside from our genes, what makes humans different from other animals?

Humans (Homo sapiens) are the only extant members of the subtribe Hominina. Together with chimpanzees, gorillas, and orangutans, they are part of the family Hominidae (the great apes, or hominids). A terrestrial animal, humans are characterized by their erect posture and bipedal locomotion; high manual dexterity and heavy tool use compared to other animals; open-ended and complex language use compared to other animal communications; larger, more complex brains than other animals; and highly advanced and organized societies.

Human-Family-TreeEarly hominins—particularly the australopithecines, whose brains and anatomy are in many ways more similar to ancestral non-human apes—are less often referred to as “human” than hominins of the genus Homo.[5] Several of these hominins used fire, occupied much of Eurasia, and gave rise to anatomically modern Homo sapiens in Africa about 315,000[6] years ago. Humans began to exhibit evidence of behavioral modernity around 50,000 years ago, and in several waves of migration, they ventured out of Africa and populated most of the world.

The spread of the large and increasing population of humans has profoundly affected much of the biosphere and millions of species worldwide. Advantages that explain this evolutionary success include a larger brain with a well-developed neocortex, prefrontal cortex and temporal lobes, which enable advanced abstract reasoning, language, problem solving, sociality, and culture through social learning. Humans use tools more frequently and effectively than any other animal; and are the only extant species to build fires, cook food, clothe themselves, and create and use numerous other technologies and arts.

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Paleolithic-Age Tools

Humans uniquely use such systems of symbolic communication as language and art to express themselves and exchange ideas, and also organize themselves into purposeful groups. Humans create complex social structures composed of many cooperating and competing groups, from families and kinship networks to political states. Social interactions between humans have established an extremely wide variety of values, social norms, and rituals, which together undergird human society. Curiosity and the human desire to understand and influence the environment and to explain and manipulate phenomena (or events) have motivated humanity’s development of science, philosophy, mythology, religion, anthropology, and numerous other fields of knowledge.

Homo_heidelbergensis_adult_male_-_head_model_-_Smithsonian_Museum_of_Natural_History_-_2012-05-17
Modern reconstruction of what a Neanderthal probably looked like in real life. In a sense, this species of human went extinct about 40,000 years ago – after living side-by-side with Homo Sapiens for tens of thousands of years. In another very real sense, they haven’t gone anywhere – if you have European ancestry, you likely carry Neanderthal DNA.

Though most of human existence has been sustained by hunting and gathering in band societies, increasingly many human societies transitioned to sedentary agriculture approximately some 10,000 years ago, domesticating plants and animals, thus enabling the growth of civilization. These human societies subsequently expanded, establishing various forms of government, religion, and culture around the world, and unifying people within regions to form states and empires. The rapid advancement of scientific and medical understanding in the 19th and 20th centuries permitted the development of fuel-driven technologies and increased lifespans, causing the human population to rise exponentially. The global human population was estimated to be near 7.7 billion in 2019.

ACTIVITY – Interpreting Paleolithic and Neolithic Art

Information on Paleolithic and Neolithic Art

This page is meant to be viewed by students who have already completed the activity Interpreting Paleolithic and Neolithic Art.

The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe as well as in Sulawesi, Indonesia, beginning at least 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, is at least 40,000 years old.

According to a 2018 study based on uranium-thorium dating, the oldest examples of Iberian cave art were made as early as 64,000 years ago, implying Neanderthal authorship, which would qualify as art of the Middle Paleolithic.

The emergence of figurative art has been interpreted as reflecting the emergence of full behavioral modernity, and is part of the defining characteristics separating the Upper Paleolithic from the Middle Paleolithic. The discovery of cave art of comparable age to the oldest European samples in Indonesia has established that similar artistic traditions existed both in eastern and in western Eurasia at 40,000 years ago. This has been taken to suggest that such an artistic tradition must in fact date to more than 50,000 years ago, and would have been spread along the southern coast of Eurasia in the original coastal migration movement. It is important to note that most of the art of this period is expected to have been lost, as it was submerged in the early Holocene sea level rise.

Niaux
A. Grotte de Niaux.

This painting of a bison hunt is between 17,000 and 11,000 years old, dating from at the latest 9000 BCE.  It is located deep inside a cave in southern France known as Niaux, meaning that ancient humans would have needed to carry lit torches to reach this site.

A scholar has described this giant artwork, saying: “The predominating animal is the bison, represented in the upper part of the panel. The bison standing out in the left central part is usually catalogued as a female, due to the shapes presented, such as the scarcely prominent hump. By contrast and in opposition to this is the male, found on the right-hand side and showing a more prominent hump.

The lower part of the wall represents several horses which, with painted hair, represent a member of the equine family with a great amount of hair, the Przewalski. The bestiary is finished off with two goats.”

Laas_Geel
B. Laas Geel.

Laas Geel are cave formations on the rural outskirts of Hargeisa, Somaliland (situated in the Woqooyi Galbeed region of the self-declared but internationally unrecognised Republic of Somaliland). They contain some of the earliest known cave paintings in the Horn of Africa. Laas Geel’s rock art is estimated to date to somewhere between 9,000 and 3,000 years BCE.

Laas Geel rock – the paleolithic art is preserved under the pronounced overhang near the top of the formation.

Although the Laas Geel rock art had been known to the area’s inhabitants for centuries, its existence only came to international attention after the 2002 discovery.

The Laas Geel cave paintings are thought to be some of the most vivid rock art in Africa. Among other things, they depict cattle in ceremonial robes accompanied by humans, who are believed to have been inhabitants of the region. The necks of the cattle are embellished with a kind of plastron. Some of the cattle are also portrayed wearing decorative robes. Besides long-horned cattle, the rock art also shows an image of a domesticated dog, several paintings of Canidae as well as a giraffe. The site is excellently preserved due to the location of the paintings which are covered by the granite overhangs.

CuevaManos
C. Cueva de las Manos.

Cueva de las Manos is located in modern day Argentina. The art in the cave dates to between 11,000–7,000 BCE.

SantaCruz-CuevaManos-P2210079b
Canyon at the Pinturas River, view from the caves.

The images of hands are negative painted, that is, stencilled. Most of the hands are left hands, which suggests that painters held the spraying pipe with their right hand or they put the back of their right hand to the wall and held the spraying pipe with their left hand.

The age of the paintings was calculated from the remains of bone-made pipes used for spraying the paint on the wall of the cave, then discarded thousands of years ago on the cave floor.

Venus_von_Willendorf
D. Venus of Willendorf.

The Venus of Willendorf is an 11.1-centimetre-tall (4.4 in) figurine estimated to have been made 30,000 BCE. It was found on August 7, 1908 at a paleolithic site near Willendorf, a village in Austria. It is carved from an oolitic limestone that is not local to the area – meaning that it was probably traded for with people who lived far away – and tinted with red ochre.

Similar sculptures, first discovered in the nineteenth and early twentieth centuries, are traditionally referred to in archaeology as “Venus figurines,” due to the widely-held belief that depictions of nude women with exaggerated sexual features represented an early fertility fetish, perhaps a mother goddess – an item with supernatural powers that  could help a man and woman conceive a child. The reference to Venus is metaphorical, since the figurines predate the mythological figure of Venus by many thousands of years.

800px-Willendorf-Venus-1468Like other similar sculptures, it probably never had feet, and would not have stood on its own, although it might have been pegged into soft ground. Parts of the body associated with fertility and childbearing have been emphasized, leading researchers to believe that the Venus of Willendorf may have been used as a fertility fetish. The figure has no visible face, her head being covered with circular horizontal bands of what might be rows of plaited hair, or perhaps a type of headdress.

Other scholars hypothesize that the figurines may have been created as self-portraits by women. This theory stems from the correlation of the proportions of the statues to how the proportions of women’s bodies would seem if they were looking down at themselves, which would have been the only way to view their bodies during this period. They speculate that the complete lack of facial features could be accounted for by the fact that sculptors did not own mirrors. This reasoning has been criticized by still others, who note that water pools and puddles would have been readily-available natural mirrors for Paleolithic humans.

Bradshaw_rock_paintings
E. Bradshaw Rock.

Bradshaw rock art or Gwion Gwion art is found in the northwest Kimberley region of Western Australia.  This particular piece is referred to by modern archeologists as tassel figures: identified by their characteristic tassels hanging from their arms and waists, various other accessories can be recognised, such as arm bands, conical headdresses and sometimes, boomerangs.

The Bradshaws are not the regions’ earliest paintings. The earlier art consists of crude animal drawings that are believed to be up to 40,000 years old. The Bradshaws have nothing in common with this earlier art and is dated between 26,500 and 20,000 years ago.

The height of the art is variable; most are between 40 and 50 cm in length with some examples up to 2 metres in height.

Artistically, Bradshaws are unusually advanced both in technique and style. Image processing has revealed that the outline of the Bradshaw figures are often painted first, then filled in. Engraving in the rock often follows the outlines of figures and may have served as a preliminary sketch which implies planning. Some faces of the figures are painted with anatomically correct features with enough detail to be considered portraits. Due to the fine detail and control found in the images, such as strands of hair painted in 1-2mm thicknesses, it has been suggested that feather quills may have been used as a technique to apply the paint to the rock walls; an imprint of a feather found at one site may support this possibility. No evidence has yet been found of any corrections or changes in composition during or after painting, while evidence of restoration has been found. In a detailed study of 66 Bradshaw panels, approximately 9% of the Bradshaw images have clearly been vandalized. Some were scratched with stones, some damaged by thrown stones, and some have been broken by hammering with large rocks.

What art will you leave behind as a testament to your presence on Earth?  Create your own piece of “rock art” – though please don’t paint it on the classroom wall – depicting the important things in your life.

Interpreting Paleolithic and Neolithic Artwork

ACTIVITY – Interpreting Paleolithic and Neolithic Art

Humans have been producing art works for at least seventy-three thousand years.

Look at the following art, which dates back to the Paleolithic Age – the Old Stone Age, before humans discovered how to farm.  For each piece, respond to the following:

  1. Describe what you see with your eyes (figures, colors, size, etc)
  2. Offer an interpretation – What was this artist trying to communicate? What was the purpose of this art?
  3. What can we learn about this artist’s way of life from this art?
  4. What modern artwork or form of expression does this ancient piece remind you of, and why?

 

 

 

What art will you leave behind as a testament to your presence on Earth?  Create your own piece of “rock art” – though please don’t paint it on the classroom wall – depicting the important things in your life.

More information about each piece can be found here.

Morocco: The Western Kingdom

LESSON PLANS

  • A Basic History of Morocco (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): A brief overview of the geography, culture, and history of Morocco.
  • The Berbers: A Free and Noble People (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): Who are the Berber, and what makes them a distinct and special people?
  • The Sahara, Camel, and the Caravan Trade (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): Highlighting the role of the caravan trade in Morocco’s ancient economy.  That trade was made possible in large part by the camel, which allowed Berber, Arab, and sub-Saharan peoples to traverse the harsh Sahara desert, moving trade goods, and establishing religious and cultural connections where none could otherwise exist.
  • Fes: Center of Moroccan Empire and Culture (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): The first capital of a united Morocco has been a dynamic player in culture, education, and the economy of North Africa for more than a thousand years.
  • The Medina: Sustainable Cities of the Ancient World (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): Examining the characteristics of a traditional medina, and evaluating those traits as a possible template for a more walkable, communal, sustainable future.
  • Chefchaouen and the Moroccan Quest for Independence (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): Exploring Morocco’s experiences as an imperial power – and as the subject of imperial power from abroad.  This history has shaped a distinctive culture at the crossroads of the Mediterranean, European, and African worlds.

Background on Islam, the dominant religion in Morocco:

  • Muhammad, the Prophet of Islam (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): Who was Muhammad, and how did the Arab world of the seventh century shape his teachings?  
  • Five Pillars to Hold Me Up: What Do Muslims Believe? (Free online text suited for middle or high school classroom use, guided reading questions, and suggested activities): What are the basic teachings of Islam, and what does it mean to be a Muslim?

THIS UNIT WAS MADE POSSIBLE THROUGH A GENEROUS GRANT FROM THE QATAR FOUNDATION.