Stereoscopic Visions of War and Empire

This exhibit juxtaposes the visual message presented by the stereoscopic images with excerpts from the letters written by U.S. soldiers that were first published in local newspapers and later collected in the Anti-Imperialist League’s pamphlet, allowing us to get a glimpse of the Philippine-American War as it was presented to Americans at home, reading the news or entertaining friends in their parlors. 

It is a part of a larger unit on the Philippine-American War.  

Students can use the Stereoscopic Visions of War and Empire Analysis Form to organize their thoughts while viewing this exhibit.

Image result for stereoscopic viewer
The stereoscopic viewer was a popular form of middle class entertainment in the United States during the late 1800s and early 1900s.  In the days before radio or television, these stereoscopic cards gave Americans a 3-D (albeit black and white) window into the world abroad.

The War from a Parlor

By Jim Zwick

The Philippine-American War was the United States’ first protracted counterinsurgency war in Asia. It started on February 4, 1899, just months after the end of the Spanish-American War, a war ostensibly fought to free Cuba from Spanish oppression. Like the Cubans, the Filipinos had been fighting for their independence from Spain since 1896. Many people within the United States objected to the annexation of Spain’s former colonies at the close of the Spanish-American War and, in November of 1898, an Anti-Imperialist League was formed in Boston to mobilize this opposition. When the war in the Philippines began three months later, it quickly became the League’s primary focus. The Philippine-American War would become the most divisive overseas war in United States history and it would retain that status for more than sixty years, until the war in Vietnam.

The counterinsurgency war for the “hearts and minds” of the Filipinos was mirrored in the domestic debate about the war. Politicians and editorialists who supported imperialism spoke and wrote of the civilizing mission of the United States, of taking up the “white man’s burden” of national sacrifice for the benefit of peoples they believed to be racially inferior and incapable of governing themselves. This rhetoric was matched with assessments of the value of Chinese commercial markets that lay “just beyond the Philippines” and the need to establish naval bases throughout the Pacific to expand and protect U.S. commerce.

The anti-imperialists highlighted the “un-American” nature of imperialism by quoting such documents as the Declaration of Independence, Washington’s Farewell Address, and Lincoln’s Gettysburg Address. To them, imperialism was a threat to the country’s anti-colonial and democratic traditions. Many anti-imperialists also opposed the annexation of foreign territories on racial grounds. They initially believed that any territory annexed by the United States would eventually become a state, and they opposed giving what they also believed to be racially inferior peoples a voice in the U.S. government.

From 1898 until July 4, 1902, the date Theodore Roosevelt symbolically used to declare the war over, nearly 200,000 U.S. soldiers served in the Philippines. About 5,000 of them were killed in battle. Most of the soldiers who initially fought in the Philippines had volunteered to fight in the Spanish-American War and, as several of the letters excerpted here indicate, not all of them supported the war in the Philippines. Their appeals for return to the United States were eventually heeded, and the Army Bill of 1901 nearly quadrupled the official size of the standing army so that an adequate number of professional soldiers could be employed to serve in the Philippines.

The number of Filipinos who died from the war is staggering. Some 16,000 to 20,000 Filipino soldiers were killed. Estimates of the number of civilians who were killed or died from war-related causes range from 200,000 to 600,000. Evidence of the brutality of U.S. troops in the Philippines was used by the Anti-Imperialist League to argue for the independence of the Philippines. Their most effective ammunition came from the official reports to the War Department by the generals in charge of U.S. forces in the Philippines. Their reports of Filipino casualties showed that for every Filipino wounded, fifteen were killed. In contrast, during the United States’ Civil War, five soldiers were wounded for every one killed.

The U.S. military censored press dispatches from the Philippines, but many local newspapers published the letters sent home by soldiers fighting there. These contained racial slurs, stories of atrocities, and assessments of the army’s morale that were not allowed to be reported over the cable from Manila. They also provided local significance to the news from abroad. In May of 1899, the Anti-Imperialist League collected many of these letters in a pamphlet, Soldiers’ Letters: Being Materials for the History of a War of Criminal Aggression. It was immediately controversial. Supporters of the war discounted the accounts of atrocities as the boasting of soldiers wanting to impress their friends and families at home or, because the identities of some of the writers were withheld from publication, as outright fabrications. Although their truthfulness was hotly debated, the letters were an important part of how the U.S. public learned about the war as they read their daily newspapers.

Visual images of the war were also widely distributed. At the turn of the century, the viewing of stereoscopic images was an extremely popular form of parlor entertainment. Stereoscopic images were created by taking two photographs of the same scene from slightly different angles. These would then be pasted to a card made to fit a special stereoscope viewer. If a picture is worth a thousand words, the realistic 3-D effect obtained by stereoscopic images was worth at least two thousand more because it added credibility to the images. Although ostensibly meant as entertainment, they contain implicit — and sometimes explicit — messages about the nature of the war, and about the Philippines and the Filipino people the U.S. government was trying to conquer.

This exhibit juxtaposes the visual message presented by the stereoscopic images with excerpts from the letters written by U.S. soldiers that were first published in local newspapers and later collected in the Anti-Imperialist League’s pamphlet. That both contained partisan messages — often racial, violent, and disturbing — is highlighted here by their juxtaposition. While the Anti-Imperialist League’s collection of the letters marks them as having partisan value, we do not often think of the stereoscopic images in the same way. But they were also an important means through which opinions about the war were shaped. The stereoscopic images and the soldiers’ letters allow us to get a glimpse of the war as it was presented to the people at home, reading the news or entertaining friends in their parlors.

“The Filipinos”

1 - the filipinos
“Better Class of Filipinos — who welcome American Rule — Manila, Philippines.” Underwood & Underwood, 1899.
traffic suspended
“Traffic suspended –their first look at a Camera, San Nicholas, Island of Cebu, Philippine Islands.” Underwood & Underwood, 1900.
a favorite costume
“A Favorite Costume for Boys at Jaro, Philippine Islands.” Underwood & Underwood, 1900.
the right way
“The right way to Filipino Freedom –Boys in Normal High School, Manila, Philippine Islands.” Underwood & Underwood, 1900.

They will never surrender until their whole race is exterminated. They are fighting for a good cause, and the Americans should be the last of all nations to transgress upon such rights. Their independence is dearer to them than life, as ours was in years gone by, and is today.
–Ellis G. Davis, Company A, Twentieth Kansas

Some think the insurgents are disheartened, but I think they will make a desperate struggle for what they consider their rights. I do not approve of the course our government is pursuing with these people. If all men are created equal, they have some rights which ought to be respected.
–J. E. Fetterly, a Nebraska soldier

“The Place”

2 - the place
“Escolta, the principal business Street in Manila, Philippine Islands.” Underwood & Underwood, 1899.
typical filipino farming scene
“Typical Filipino Farming Scene, a rice field and Water Buffalo–resting between furrows, Luzon, P. I.” Underwood & Underwood, 1900.

The building had been taken possession of by a United States officer, and he looted it to a finish. I suspected something and followed one of his men to the place. I expected to be jumped on by the officer as soon as I found him there, as I was away from my post, but it seems he was afraid I would give him away; in fact, we were both afraid of each other. He was half drunk, and every time he saw me looking at anything he would say, “Tennessee, do you like that? Well, put it in your pocket.” … The house was a fine one, and richly furnished, but had been looted to a finish. The contents of every drawer had been emptied on the floor. You have no idea what a mania for destruction the average man has when the fear of the law is removed. I have seen them — old sober business men too — knock chandeliers and plate-glass mirrors to pieces just because they couldn’t carry it off. It is such a pity.
–D. M. Mickle, Tennessee Regiment, at Iloilo

We sleep all day here, as we do our duty all night, walking the streets. We make every one get into his house by 7 p.m., and we only tell a man once. If he refuses, we shoot him. We killed over three hundred men the first night. They tried to set the town on fire. If they fire a shot from a house, we burn the house down, and every house near it, and shoot the natives; so they are pretty quiet in town now.
–A Corporal in the California Regiment

“The US Army”

3 - The US Army
“Gallant defenders of the flag Dewey raised over the Philippines – 1st Battalion, Washington Vols. at Pasig.” Underwood & Underwood, 1899.
lookouts
“Lookouts on the church top – watching the Filipinos – Taquig, Philippine Islands.” Underwood & Underwood, 1900.

The town of Titatia was surrendered to us a few days ago, and two companies occupy the same. Last night one of our boys was found shot and his stomach cut open. Immediately orders were received from General Wheaton to burn the town and kill every native in sight, which was done to a finish. About one thousand men, women, and children were reported killed. I am probably growing hard-hearted, for I am in my glory when I can sight my gun on some dark-skin and pull the trigger.
–A. A. Barnes, Battery G., Third United States Artillery

We can lick them, but it will take us a long time, because there are about 150,000 of the dagos back in the hills, and as soon as one of them gets killed or wounded there is a man to take his place at once; and we have but a few men in the first place, but we are expecting about 8,000 more soldiers every day, and I hope they will soon get here, or we will all be tired out and sick…. This is an awful bad climate and there have been from two to four funerals every day. The boys have chronic diarrhea and dysentery, and it just knocks the poor boys out.
–Martin P. Olson, Fourteenth Regulars

“The Dead”

3 - The Dead
“Gen. Lawton’s remains, Paco Cemetery Chapel. — ‘A Hero as great as he was modest.'” Underwood & Underwood, 1900.
necessary
“The necessary Result of War –an Insurgent killed in the trenches at the Battle of Malabon, P. I.” Underwood & Underwood, 1899.
Sacrifice to Aguinaldo's ambition
“A Sacrifice to Aguinaldo’s Ambition – Behind the Filipino Trenches after the Battle of Mala.” Underwood & Underwood, 1899.
departed
“Praying for the souls of departed friends –Santa Cruz Cemetery, Manila, Philippines.” Underwood & Underwood, 1899.

I deprecate this war, this slaughter of our own boys and of the Filipinos, because it seems to me that we are doing something that is contrary to our principles in the past. Certainly we are doing something that we should have shrunk from not so very long ago.
–General Reeve, Thirteenth Minnesota Regiment

The boys are getting sick of fighting these heathens, and all say we volunteered to fight Spain, not heathens. Their patriotism is wearing off. We all want to come home very bad. If I ever get out of this army I will never get into another. They will be fighting four hundred years, and then never whip these people, for there are not enough of us to follow them up…. The people of the United States ought to raise a howl and have us sent home.
–Tom Crandall, Nebraska Regiment

“Civilized Warfare”

4 - Civilized Warfare
“Insurgent Families coming into the American Lines with the flag of truce, Philippines.” Underwood & Underwood, 1899.
prisoners
“Filipino prisoners of war at Pasig, Philippine Islands.” Underwood & Underwood, 1899.
peace
“Bringing Peace to the fertile Philippines –some of the 9th Infantry Boys at Las Pinas.” Underwood & Underwood, 1899.

The boys go for the enemy as if they were chasing jack-rabbits…. I, for one, hope that Uncle Sam will apply the chastening rod, good, hard, and plenty, and lay it on until they come into the reservation and promise to be good “Injuns.”
–Colonel Funston, Twentieth Kansas Volunteers

Soon we had orders to advance, and we rose up from behind our trenches and started across the creek in mud and water up to our waists. However, we did not mind it a bit, our fighting blood was up and we all wanted to kill “niggers.” This shooting human beings is a “hot game,” and beats rabbit hunting all to pieces.
–A private of Company H of the First Regiment, Washington State Volunteers

“The Hospital”

stricken
“Stricken with fever –more deadly than Filipino bullets– 1st Reserve Hospital, Manila, Philippine Islands.” Underwood & Underwood, 1899.
5 - Civilized Warfare
Civilized Warfare — restoring men we had to shoot — Reserve Hospital, Manila, P.I. Underwood & Underwood, 1899.

I never saw such execution in my life, and hope never to see such sights as met me on all sides as our little corps passed over the field, dressing wounded. Legs and arms nearly demolished; total decapitation; horrible wounds in chests and abdomens, showing the determination of our soldiers to kill every native in sight. The Filipinos did stand their ground heroically, contesting every inch, but proved themselves unable to stand the deadly fire of our well-trained and eager boys in blue. I counted seventy-nine dead natives in one small field, and learn that on the other side of the river their bodies were stacked up for breastworks.
–F. A. Blake, of California, in charge of the Red Cross

Our Country Victorious and Now a Happy Home

A Spanish-American War Drama in Six Parts

This six-card set of stereoscopic cards was copyrighted in 1899 by Strohmeyer & Wyman and published by both it and Underwood & Underwood. The sets were available in at least two versions, one with Jack going off to fight in Cuba and the other with him fighting in the Philippines. The photographs and captions are identical except that “Manila” in the caption on card three is replaced by “Santiago.”

 

This essay and exhibit, originally presented online in the early 2000s, were the work of the late historian Jim Zwick.  Since Mr. Zwick’s passing, they have disappeared from the internet, as has the original host site.  It is truly a shame for his important exhibition to disappear, especially considering its seemingly perpetual relevance.  I present them here – with an expanded collection of stereoscopic images – in a purely academic spirit, with all due respect to Mr. Zwick and the educational value of his original work.  Openendedsocialstudies.org does not profit in any financial sense by hosting this lesson.

Read more on this subject -> The Origins of the Philippine-American War  ◦  The Brutality of the Philippine-American War  ◦  The Philippines in the American Empire  ◦  “The White Man’s Burden”: Kipling’s Hymn to U.S. Imperialism  ◦  Stereoscopic Visions of War and Empire  ◦  In The Trenches: Harper’s Weekly Covers the Philippine-American War

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